Iván Argote was raised in a politically committed family having experienced the Colombian riots of the 70s and 80s. This commitment he witnessed in his youth strongly influences his work: protestation, civil disobedience, resistance are at the core of his practice. Iván Argote’s projects explore the relationship between history, politics and the construction of our own subjectivities. His films, sculptures, collages, and public space installations tend to raise questions about how we relate to others, to the state, to heritage and traditions. His artworks are critical, sometimes anti-establishment, and deal with the idea of bringing affects to the politics, and politics to the affects in a strong and tender tone. Iván Argote’s work does not lack of humour; by using absurd or worrying situations, the artist tries to make sense. Painted, moulded, engraved or sprayed, words are running on his artworks, often presented as architectural pieces. The use of concrete gives him a freedom of surfaces and shapes needed to create structures that are both monumental and poetical.
[READING LIST]
To learn more about his practice, here are a few articles and videos about Iván Argote’s work:
Cisneros Fontanals Art Foundation, Miami, (US)
Palm Springs Art Museum, Palm Springs (US)
MACBA (Museum of Contemporary Art of Barcelona), Barcelona (ES)
MUNTREF, Buenos Aires (AR)
Cnap, Centre national des arts plastiques, Paris (FR)
Fonds municipal d’art contemporain de la Ville de Paris (FMAC), Paris (FR)
FRAC Occitanie, Toulouse (FR)
Solo exhibition, cur. Pilar Tompkins Rivas, Artpace, San Antonio (US)
Juntos Together, cur. Julio Morales, ASU Art Museum, Tempe (US)
A point of view, in situ installation made for Desert X 2019, cur. Matthew Schum, Salton Sea – Coachella Valley (US)
Deep Affection, Galerie Perrotin, Paris (FR)
Ternura Radical, Museo de Arte Latinoamericano de Buenos Aires (MALBA), Buenos Aires (AR)
Somos Tiernos Eternos (outdoor installation), Bienalsur, Museo de Arte Moderno de Bogota (MAMBO), Bogota (CO)
Galeria Vermelho, Sao Paolo (BR)
Museo Universitario del Chopo, Mexico (MX)
La Venganza del Amor, Perrotin, New York (US)
Roarrr (outdoor sculpture), cur. Florence Parot, Hotel Bristol, Paris (FR)
Sírvete de mi, sírveme de ti, Proyecto Amil, Lima (PE)
Strengthlessness (outdoor sculpture), cur. Brian Kepple, The Standard Hotel, New York (US)
An idea of progress, cur. Persil Caton, SPACE, London (GB)
La puesta en marcha de un sistema, Galeria ADN, Barcelona (ES)
Cómo-lavar-la-loza-coherentemente, cur. Santiago Rueda, NC-Arte, Bogotá (CO)
Reddish Bue, D+T Project, Brussels (BE)
Let’s write a history of hopes, Galeria Vermelho, Sao Paulo (BR)
Activissime !, cur. Alba Benavent & Lucía Piedra, EspaiDos – Sala Muncunill, Barcelona (ES)
Strengthlessness, Galerie Perrotin, Paris (FR)
Un millón de amigos, Galería ADN, Barcelona (ES)
Munich Time Capsule 2013-2113, A Space Called Public, cur. Elmgreen & Dragset, Munich (DE)
AB Studios, with Pauline Bastard, cur. Pilar Tompkins, 18th Street Arts Center, Los Angeles (US)
La Estrategia, Prix SAM 2012, cur. Akiko Miki, Modules, Palais de Tokyo, Paris (FR)
Close to me, D+T Project, Brussels (BE)
Sin heroísmos, por favor (with Sara Ramos y Teresa Solar), cur. Tania Pardo, CA2M, Madrid (ES)
Rising action, with Pauline Bastard, Nettie Horn Gallery, London (GB)
We are, NURTUREart, New York (US)
Venganza, La Mals, Sochaux (FR)
Caliente, Galerie Perrotin, Paris (FR)
Rising action, with Pauline Bastard, Vernon Projekt, Vernon Gallery, Prague (CZ)
Lots of love, with Pauline Bastard, Störk Gallery, Rouen (FR)
A break to dance, Valenzuela & Klenner Gallery, Bogota (CO)
Valeur Ajoutée, with Pauline Bastard, Hamish Morrison Gallery, Berlin (DE)
Valor Agregado, with Pauline Bastard, Valenzuela & Klenner Gallery, Bogota (CO)
Collectionner au XXIè siècle : de leur temps (6), ADIAF, Collection Lambert, Avignon (FR)
Collectionner au XXIè siècle : de leur temps (6), ADIAF, Collection Lambert, Avignon (FR)
Frieze Sculpture 2019, cur. Claire Lilley, The Regent’s Park, London (GB)
Power in Resistance, cur. Tamara Toledo, Sur Gallery, Toronto (CA)
La Plaza del Chafleo at Latin American Landscapes in Video Art, Cabaret Voltaire, Zurich (CH)
The street. Where the World Is Made, La Panacée, Montpellier (FR)
Hypertimes, cur. Ginevra Bria, Futuredome, Milan (IT)
La Plaza del Chafleo at Sala Antonio, Galeria Vermelho, Sao Paulo (BR)
The I is always in the field of the Other, Evliyagil Museum, Ankara (TR)
Children, Movie Selection, Museo d’Arte Contemporeanea di Roma, MACRO, Roma (IT)
A Decolonial Atlas : Strategies in contemporary art of Americas, Mandeville Gallery at Union College, New York (US)
Poéticas de la Emoción, cur. Érika Goyarrola, CaixaForum Barcelona, CaixaForum Zaragoza, CaixaForum Sevilla (ES)
La ciudad imaginada, cur. Johanna Caplliure, IVAM (Instituto Valenciano de Arte Moderno), Valencia (ES)
How to See [What Isn’t There], The Burger Collection Hong Kong, Langen Foundation, Neuss (DE)
Do Silêncio à Memória, cur. Juliana Caffée, Paço das Artes, Sao Paulo (BR)
Der Duft der Bilder Werke der colección olorVISUAL, Barcelona, Kunst – und Kulturstiftung, Opelvillen Rüsselsheim, Rüsselsheim (DE)
The Tirana Film Festival, Tirana (AL)
Don’t believe their lies, cur. Catherine Petitgas, Claustro de San Agustín, Bogotá (CO)
Telling Time, Musée d’Art et d’Histoire, Geneva (CH)
The street. Where the World Is Made, MAXXI, Rome (IT)
Inéditos 2018. Regreso al futuro, cur. Rafael Barber Cortell, Casa Encendida, Madrid (ES)
Ese tiempo mineral / Ce temps minéral, cur. Marco Calderón, Instituto Francés de América Latina, Mexico (MX)
Wonderland, cur. Melanie Kress, High Line Art Associate Curator, Hight Line – Channel 14, New York (US)
A Decolonial Atlas : Strategies in Conteporary Art of the Americas, Dean of the School Art & Sciences, Medford (US)
Sculpture Garden and Outdoors Tendency (SPOT), cur. Nuno Centeno and Rita Almeida Freitas, Porto (PT)
Twenty-first century occupational adjustements and considerations. Episode 1: Magnification, Bortolami Gallery, New York (US)
Dancing with gravity (Site specific ins tallation), MALI – Museo de Arte de Lima , Lima (PE)
That mineral time Casa Francia, Mexico City (MX)
Intervention, cur. Juan José Santos, SUBTE, Montevideo (UY)
Hybrid Topographies, cur. Monica Espinel, Deutsche Bank (60 Wall Street), New York (US)
Départ, Galería Solo / Eva Albarrán & Christian Bourdais, Madrid (ES)
Shivers Only, cur. Hubert Marot, LA PAIX, Paris (FR)
Pattern, cur. Chloé Grondeau, Maison des Arts de Laval, Laval (FR)
Attaches, Cité Internationale des Arts, Paris (FR)
SUD2017 Triennale d’Art Publique, (public space project), Doual’art, Douala, (CM)
Notte Bianca, Villa Medici, Roma (IT)
Bienalsur (Public space installation), Museo de Arte Moderno de Bogota, Bogota (CO)
Medellin, une histoire colombienne, de Fernando Botero à Ivan Argote, Les Abattoirs, Toulouse (FR)
Continua Sphères ENSEMBLE, Le Centquatre, Paris (FR)
Bienalsur, Museo de la Inmigracion, Buenos Aires (AR)
Sobreexposicion, Espacio de Arte Contemporaneo, Montevideo (UY)
From Selfie to Self-Expression, Saatchi Gallery, London (GB)
L’Espace du Débat, Tout foutre en l’air ?, cur. BAOBAB Dealer d’Espaces, Pavillon de l’Arsenal, Paris (FR)
Du Verbe à La Communication, collection of Josée & Marc Gensollen, Carré d’Art, Nîmes (FR)
A Decolonial Atlas : Strategies in Contemporary Art of the Americas, cur. Pilar Tompkins Rivas, Vincent Price Art Museum, Monterey Park (US)
Monumentos, anti-monumentos y nueva escultura pública, cur. Pablo León de la Barra, MAZ – Museo de Arte de Zapopan, Zapopan (MX)
Le Quatrième Sexe, cur. Marie Maertens, Le Coeur, Paris (FR)
Future Generation Art Prize, exhibition of the 21 shortlisted artists, PinchukArCentre, Kiev (UA); Palazzo Contarini Polignac, Venice Biennale, Venice (IT)
L’éloge de l’heure, CID – Centre d’innovation et de design au Grand-Hornu, Hornu (BE)
First Day of Good Weather – Latin American Art, cur. Sandino Scheidegger, Sies + Höke, Düsseldorf (DE)
Les Possédés, cur. Véronique Collard Bovy & Jérôme Pantalacci, Friche la Belle de Mai, Marseille (FR)
Yes I can ! Portrait du pouvoir, cur. Sébastien Planas, organized by Musée des Beaux Arts Hyacinthe Rigaud at Centre d’art contemporain Walter Benjamin, Perpignan (FR)
Basta! , The Anya and Andrew Shiva Gallery, John Jay College of Criminal Justice, New York (US)
A Decolonial Atlas: Videos from the Americas, 2010-2015, cur. Pilar Tompkins Rivas, Oficina de Proyectos Culturales, Puerta Vallarta (MX)
No One Belongs Here More Than You, cur. Sandino Scheidegger, Despacio, San José (CR)
Enclencheurs de Récits, cur. Nicolas Koch, Le Point Commun, Cran-Gevrier (FR)
Bread and Roses, cur. Łukasz Ronduda & Natalia Sielewicz, Museum of Modern Art in Warsaw (PL)
Hors Pistes festival, cur. Géraldine Gomez, Centre Pompidou, Malaga (ES) & Paris (FR)
Ideologue, cur. Becca Maksym, Utah Museum of Contemporary Art, Salt Lake City (US)
A Decolonial Atlas: Videos from the Americas, 2010-2015, OFF Cairo Biennale, cur. Pilar Tompkins Rivas, Cairo (EG)
Jonny, Insitu, Berlin (DE)
Artistes à la une, Palais de Tokyo, Paris (FR)
Waiting for the accident to happen, cur. Antonella Croci, Screen Space, Melbourne (AU)
La vérité des apparences, histoires de codes et de reflets, cur. Fabienne Bideau, La Tôlerie, Clermont-Ferrand (FR)
Levitate, cur. Daria Khan, MuseumsQuartier, Vienna (AT)
It’s Money Jim but not as we know it, cur. Katerina Gregos, Mario Mauroner Contemporary Art, Vienna (AT)
Intersections (after Lautréamont), CIFO Foundation, Miami (US)
Between the Pessimism of the Intellect and the Optimism of the Will, 5th Thessaloniki Biennale, cur. Katerina Gregos, Thessaloniki (GR)
The devil is in the details, cur. Jesus Fuenmayor, KaBe Contemporary, Miami (US)
Every inclusion is an exclusion of other possibilities, Salt Beyoglu, Istanbul (TR)
Historiology / Archaeography, DT Project, Brussels (BE)
Paris holiday, Galerie Perrotin, New York (US)
L’éloge de l’heure, cur. Chantal Prod’Hom & Fabienne Xavière Sturm, MUDAC, Lausanne (CH)
Il frutto maturo e la terra indifferente, cur. Lore Gablier, Museo Nivola, Orani (IT)
Moving not moving, cur. Audrey Teichmann, Galerie Laurence Bernard, Geneva (CH)
El Futuro No espera, cur. Sonia Fernández Pan, La Capella, Barcelona (ES)
Nuit Blanche, Pavillon Vendôme (outdoor sculpture), Paris (FR)
Corpus Delicti, cur. Ricardo Arcos-Palma, Ex Terrasa, Mexico D.F (MX)
Buildering: Misbehaving the City, cur. Steven Matijcio, Blaffer Art Museum, Houston (US); CAC Contemporary Arts Center, Cincinnati (US)
Colonia Apocrifa, cur. Juan Guardiola, MUSAC Museo de Arte Contemporáneo de Castilla y León, Léon (ES)
… Do Delay, cur. pick nick, Cyprus (CY)
Verbo – Performance Festival, Galeria Vermelho, Sao Paulo (BR)
The Part In The Story Where A Part Becomes A Part Of Something Else, cur. Heman Chong & Samuel Saelemakers, Witte de With Center for Contemporary Art, Rotterdam (NL)
Honoré, Galerie rue Visconti, Paris (FR)
Inéditos 2014. Be virus, my friend, cur. Colectivo Catenaria, Casa Encendida, Madrid (ES)
Addenda, cur. Nancy Casielles, Hôpital Notre Dame de la Rose (with B.P.S.22), Lessines (BE)
Utopian Days – Freedom, cur. Haily Grenet, Martin Schulze & Jeongsun Yang, Total Museum of Contemporary Art, Seoul (KR)
All about these… Ladies and Gentlemen, cur. Fani Zguro, National Gallery of Arts, Tirana (AL)
Quieren dinero, cur. Maria Isabel Rueda, Barranquilla Fine Arts, Barranquilla (CO)
Festival Hors Piste, cur. Géraldine Gomez, Centre Pompidou, Paris (FR)
Ciudad-de-mente, cur. Juan José Santos, Galeria Concreta, Santiago de Chile (CL)
XVII Biennale d’Arte Citta di Penne, cur. Marco Antonini, Penne (IT )
Ivan Argote – Adrian Melis – Ahmet Ogut, DT Projects, Brussels (BE)
Happy Birthday Galerie Perrotin, Lille 3000, Lille (FR)
Du clocher on voit la mer, cur. Marc Geneix, Friche la Belle de Mai, Marseille (FR)
De leur temps 4, ADIAF, Le Hangar à Bananes, Nantes (FR)
Foutre, düo, Paris (FR)
Jubiläums Festival 2013, Werkleitz, Nuremberg (DE)
Nuit Blanche Video London, Victoria Miro Gallery, London (GB)
Augmented Spatiality, cur. María Andueza, Hökarängen, Stockholm (SW)
Artesur, Collective Fictions, Palais de Tokyo, Paris (FR)
La Belle Peinture II, cur. Eva Hober & Ivan Jančár, Palais Pisztory, Bratislava (SK)
Festival de Inverno de São João del Rei, cur. Ricardo Coelho, São João del Rei (BR)
A Space Called Public, cur. Elmgreen & Dragset, Munich (DE)
Small gestures, cur. Jasper van Es, MU, Eindhoven (NL)
The Democracy of objects, Nettie Horn Gallery, London (GB)
Monkey Business, cur. Grégory Lang, Galerie Sophie Scheidecker, Paris (FR)
The Imminence of Poetics, 30th Sao Paulo Biennial, tour exhibition: Brazil (BR); Venezuela (VE); Argentina (AR)
Tectonic, cur. Aya Mousawi, The Moving Museum, Dubai (AE)
Traduction-Tradition-Trahison, cur. María Inigo Clavo & Anna Raimondo, Cube Independent Art Room, Rabat (MA)
Involution, cur. Temra Pavlovic, Otras Obras, Tijuana (MX)
The Exuberan’s Vertigo and Myths, cur. Irene Aristizabal, La Maison Rouge, Paris (FR)
TCOB, cur. M I A M I, Museo La Tertulia, Cali (CO)
Los irrespetuosos, cur. Carlos Palacios, Museo Carrillo Gil, Mexico D.F (MX)
The Imminence of Poetics, 30th Sao Paulo Biennial, cur. Luis Pérez-Oramas, Sao Paulo (BR)
Destination Sud, winners of SAM Prize, MuBE, Sao Paulo (BR)
There’s a hole in the sky, cur. Tom Polo, Campbelltown Arts Centre, Sydney (AU)
Políticas de la imágen en Colombia, cur. Christian Padilla, Artes Guerrero, Bogotá (CO)
Performing Politics Symposium, cur. Alvaro Urbano, Institut für Raumexperimente, Berlin (DE)
Girarse, cur. Martina Milla, Joan Miró Fundation, Barcelona (ES)
Políticas de la imagen: videoarte colombiano, cur. Christian Padilla, OODAAQ Festival, Rennes (FR)
The forfeiture of money, D+T Project, Brussels (BE)
Saison 2012, cur. COAL Colletif, Domaine de Chamarande, Chamarande (FR)
The Family, cur. Aldo Giannotti, Lust Gallery, Vienna (AT)
The dialectic city, cur. Carla Acevedo-Yates, Laboratorio de Artes Binarios, San Juan (PR)
The making of something, 1646, The Hague (NL)
Vidéo Ping Pong # 20, le Bel Ordinaire espace d’art contemporain, Pau (FR)
Infiltration, le privilège des chemins, cur. Marianne Derrien, Plataforma Revolver, Lisboa (PT)
DigitalAct, Digital Arts Festival, Moscow (RU)
Coup d’éclat, cur. Francesca Agnesod, Guillaume Hervier & Andrea Rodriguez Novoa, Fort de Bruissin, Lyon (FR)
BLK river festival, cur. Sydney Ogidan, Vienna (AT)
Ambiente Familiar, cur. William Contreras, M.I.A.M.I. Gallery, Bogotá (CO)
La Minoterie, cur. Marion Tampon-Lajarriette, Geneva (CH)
Polis, cur. Markus Winter, Art blog art blog, New York (US)
Vista, Socrates Sculpture Park, New York (US)
Tiere in der kunst, cur. Dietgard Grimmer, Galerie im Traklhaus, Salzburg (AT)
Prix Sciences Po pour l’art contemporain, Sciences Po, Paris (FR)
Manipulatie, cur. Perre van den Brink & Wouter Vandenbrink, Paraplufabriek, Nijmegen (NL)
Les armes silencieuses, CAB Grenoble, Grenoble (FR)
Qui Admirez Vous?, cur. Isabelle Le Normand & Florence Ostende, La Box, Bourges (FR)
Something, cur. Marco Antonini, Pratt Manhattan auditorium, New York (US)
Action Planning #3-Interludes, Nuit Blanche, Mairie du 11ème, Paris (FR)
Action Planning-Self #1, Angle Art Contemporain, Saint-Paul-Trois-Chateaux (FR)
Nouvelles Peintures, cur. Renaud Loda, OLM space, Neuchâtel (CH)
Hyperactivité, CAN & Marks Blond Project, Neuchâtel (CH)
Biennale de Mulhouse 010, Mulhouse (FR)
You me here now, Galerie IMMIX, Paris (FR)
Safari sur l’ile des impressionnistes, Cneai, Chatou (FR)
Schools of art, Hochschule für Bildende Künste, Dresden (DE)
Biennale Madrid Abierto, Art biennale, Audiovisual selection, Madrid (ES)
Swing 2, Ivan Argote, Pauline Bastard, Géraldyne Py et Roberto Verde, Mains d’Oeuvres, Saint-Ouen (FR)
Prelude, Chez Edgar, Paris (FR)
Lionel Esteve, Kolkoz, Xavier Veilhan, Daniel Firman, Mathieu Mercier, Ivan Argote, Galerie Emmanuel Perrotin, Miami (US)
Swing, cur. Isabelle Le Normand, La Friche La Belle de Mai, Marseille (FR)
Vidéo Ping-Pong #5, vas voir dehors si j’y suis, cur. Thibault Capéran, le Bel Ordinaire espace d’art contemporain, Pau (FR)
BIG UP3, Contemporary Art Festival, Pau & Anglet (FR)
Drrrr, Störk Gallery, Rouen (FR)
Disguised Retrospective, Museum National University of Colombia, Bogota (CO)
XI International Call for Young Artist, Luis Adelantado Gallery, Valencia (ES)
Intervenciones TV, Montehermoso Cultural Center, Vitoria-Gasteiz (ES)
Zapping Unit, MAC/VAL Museum, Vitry-sur-Seine (FR)
54th Salon of Contemporary Art of Montrouge, Montrouge (FR)
Architectures of survivals, cur. Komplot, Sparwasser, Berlin (DE) & Outpost for Contemporary Art, Los Angeles (US)
TV JAM 2008, Montehermoso Cultural Center, Vitoria-Gasteiz (ES)
A winter story in a wild jungle, Shunt, London (GB)
Youtube battle 2, Palais de Tokyo, Paris (FR)
Vidéo sur l’ile, Video Festival cur. Marcel Dinahet and Célia Crétien, Ouessant (FR)
Collider, La Générale en Manufacture, Sèvres (FR)
Tina B, Contemporary Art Festival, Prague (CZ)
La masse envahit la grille, École Nationale Supérieure d’Architecture, Paris (FR)
Eurofoot, La Maison des Métallos, Paris (FR)
Traverse Vidéo, Video Festival, Toulouse (FR)
Paris MFA Fine Arts Students, Taipei Artist Village, Taipei (TW)
Paris Taipei, Fine Arts School of Taipei, Taipei (TW)
Salon Nacional de arte universitario, Art Museum of the Antioquia’s University, Medellin (CO)
Salon Nacional de arte universitario, Comfandi Cultural Center, Cali (CO)
Salon Nacional de arte universitario, Gilberto Alzate Avendaño Foundation, Bogota (CO)
Pirate video Festival, Colombia’s National University, Bogota (CO)
Fotográfica 217, National University of Colombia, Bogota (CO)
Thesis, Best final projects from art schools, Contemporary Art Museum, Bogotá (CO)
Art and Document, cur. Elías Heim, Cali’s Cultural Center, Cali (CO)
As far as we could get, FID International Film Festival (French Competition – world premiere), Marseille (FR)
Si mi sol (video commission, led screen, on the 4 sides of the Torre Colpatria, 196 meters), cur. Babel Media Art, Torre Colpatria, Bogotá (CO)
Fructose and Reddishblue Memories, Film festival Arte In Cine Joia, cur. Gabriel Zimbardi, Cine Joia, Rio de Janeiro (BR)
One Way, Nuit Blanche Toronto : On the horizon the shadow speaks another story, cur. Ashley L. Wong, Drake Commissary, Toronto (CA)
Performances A Walk for Two and Born to Collect by Iván Argote & Pauline Bastard, cur. Yasmina Reggad for Art Dubai Commissioned 2017, Dubai (AE)
Selection of films, Notte Bianca, cur. Pier Paolo Pancotto, Villa Medici, Rome (IT)
Fructose, FID International Film Festival, (French Competition – world premiere), Marseille (FR)
Fructose, Filmouglage, Berlin (DE)
Fructose, Nadie Nunca Nada No, Madrid (ES)
Les Rencontres Internationales, Gaîté lyrique, Paris (FR)
Selection of film by Iván Argote, Zumzeig Cinema, Barcelona (ES)
The Messengers, Zinebi Festival Internacional de Cine Documental y Cortometraje de Bilbao, Golem Cinema, Bilbao (ES)
Screening, ICA, London (GB)
Workshop with Mikhail Karikis, Acting the future, Tate Modern, London (GB)
The Messengers, FID International Film Festival, (world premiere), Marseille (FR)
Screening, Les Abattoirs, Toulouse (FR)
Activísimo workshop, Activism and protest workshop with children, EspaiDos, Barcelona (ES)
Born to Curate, Performance, Le 116 Art Center, Paris (FR)
La Estrategia, LAXART, Los Angeles (US)
Born to Curate (Los Angeles), Highways Theater, Produced by 18th Street Arts Center & Institut Français, Los Angeles (US)
Born to curate (London), in collaboration with Pauline Bastard, Produced by Nettie Horn Gallery, London (GB)
Pauline Bastard & Ivan Argote, Talk, Rouen Fine Arts Museum, Rouen (FR)
Flux thursdays, Conference, Flux Factory, New York (US)
Ivan Argote Prize, Price for a student in the Bourges’ Fine Arts School, Philantropy action, Bourges (FR)
Dance or die!, Dance élargie, with Jair Bareli and Pauline Bastard, Théatre de la Ville de Paris, Paris (FR)
100% directe, Performance in collaboration with Pauline Bastard, Mains d’Oeuvres, Saint-Ouen (FR)
Catalogue Artists’ Film Screening, South London Gallery, London (GB)
1 million of friends, Sunday’s screenings, Galerie Emmanuel Perrotin, Paris (FR)
The conservation and restoration of contemporary artworks, Talk by Carole Husson, SFIIC, Paris (FR)
Date limite de Conservation, Talk, MAC/VAL Museum of contemporary art of Val-de-Marne, Vitry-sur-Seine (FR)
The Here, Talk-performance, Master in Fine Arts, National University, Bogotá (CO)
Web flash festival, Centre Pompidou, Paris (FR)
Supra Real, Talk-performance, Master in Fine Arts, National University, Bogotá (CO)
Future Generation Art Prize, PinchukArtCentre, Kiev (UA)
CIFO Cisneros Fontanals Foundation Prize, Miami (US)
First Prix – Audi talents awards Art contemporain, Paris (FR)
18th Street Art Center, Los Angeles (US)
BAR, Barcelona (ES)
Prix Sam Art Projects, Paris (FR)
Politic Science Prize for contemporary art, École de Sciences Politiques, Paris (FR)
First Prix – Create the “Canal +” ad, Canal +, Paris (FR)
First Prix – Intervenciones TV
Fundación Rodriguez, Vitoria Gateiz (ES)
First Prix – National Salon of Young Art, Guerrero Arts School, Bogotá (CO)
Summer 2020 International Artist-in-Residency, cur. Pilar Tompkins Rivas, Artpace, San Antonio (US)
Hyperactivité, Neuchâtel (CH)
Astérides, Marseille (FR)
National University – Visual Arts department, Bogota (CO)
Mains d’Oeuvres Cultural Center, Paris (FR)
Paris-Taiwan – Taiwan Fine Arts School, Taipei (TW)