TATIANA WOLSKA

[ARTIST IN FOCUS]

After studying at Villa Arson in Nice (FR), Tatiana Wolska was awarded the “Grand Prix du Salon de Montrouge” and showed her work in solo at Palais de Tokyo. Since then, she has been invited by numerous French, Belgian and Polish institutions and developed a multidisciplinary practice characterized by organic growth and proliferating shapes.

As the artist says: “I deny myself nothing, no direction, no medium, and no material. Almost all the materials I use are found or recycled: empty plastic bottles, pallets, reused wood, bent nails… They are not noble materials, but materials that allow me to create. This fits with an ecological vision, yes, but that was not my primary concern. It was only when I realized what you can do with what you buy and what you throw away… We are deluged with stuff and materials, and I like to give some of it a second life. There is a joy in seeing things that are thrown away or discarded on the street end up with a collector or in an art centre.”

Learn more about Tatiana Wolska

Etui pour la sculpture potentielle 3

2016
38 x 54 x 90 cm
Silicone, PU foam, printed cotton, Indian ink
Unique work
6.400 euros
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Untitled

2017
36 x 20 x 30 cm
Bricks, silicon
Unique work
3.000 euros
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Untitled

2019
28,5 x 21 cm
Rystor pen and paint on paper
Unique work
1.300 euros
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One pallet sculpture 6

2016
89 x 15 x 21 cm
Recycled wood pallet, nails
Unique work
4.900 euros
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Untitled

2019
29,7 x 42 cm
Rystor pen and acrylic paint on paper
Unique work
1.500 euros
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Untitled

2017
21 x 29,7 cm
Acrylic on paper
Unique work
1.300 euros
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Untitled

2016
56 x 42 cm
Graphite on paper
Unique work
1.600
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Untitled

2017
65 x 50 cm
Sewing on paper
Unique work
1.800 euros
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Untitled

2019
29,7 x 42 cm
Pen on paper
Unique work
1.800 euros
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Untitled

2015
50 x 70 x 60 cm
Red thermo-welded plastic
Unique work
4.600 euros
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“You are attracted to materials because they have potential. And that potential is different for each material. It is important to listen and to see what is happening. Everything happens like an improvisation, like a test. A test of materials, surfaces, and assemblages. The materials and my interventions engage in a sort of dialogue.”

– Tatiana Wolska, interviewed by with Kurt Snoekx in 2018