ATHINA IOANNOU

[ARTIST IN FOCUS]

Spread on the walls, pinned, hung or laid on paper, Athina Ioannou’s floating compositions play with light, transparency, rythm and movement. She mainly uses textile: soaked in linseed oil, the fabric reveals the intensity of its colors and becomes a pure expression of painting. Her space-sensitive and minimal practice confronts the viewer with interventions that seem to materialize directly from their surroundings.

Athina Iannou studied painting at the Academy of Fine Arts in Rome, as well as the Art Academy of Düsseldorf. She has participated in several individual and collective exhibitions through Europe, her work is presented in several institutions such as the Insel Hombroich Foundation, Neuss (DE), The Benaki Museum of Islamic Art, Athens (GR), Le Dommaine Pommery, Reims (FR), and the Museumcultuur Strombeek/Gent (BE) among others.

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The kimono gardens (red)

2019
100 x 100 x 2,2 cm
Linseed oil on fragmented kimono vest, stainless welded wire mesh, iron frame
Unique work
10.500 euros
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    Mythologies

    2018
    35,5 x 44,5 cm
    Collage and pencil on Fabriano paper
    Unique work
    2.500 euros
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      Love Otherwise (Small Hanging Paintings)

      2018
      62 x 171 cm
      Linseed oil on coloured fabric, iron bar
      Unique work
      9.000 euros
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        Mythologies 3

        2017
        61 x 81 cm
        Gouache on Stonepaper
        Unique work
        3.500 euros
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          Mythologies 5

          2017
          61 x 81 cm
          Gouache on Stonepaper
          Unique work
          3.500 euros
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            La mémoire fragile 6 (The blue works)

            2018
            58 x 43 cm
            Deep cobalt blue and ultramarine, fingerprints on poems, oil painting on Fabriano paper
            Unique work
            2.700 euros
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              "Athina Ioannou enables light to permeate material, the medium of her work. The oils and dyes she uses to immerse her fabrics in, as well the touch of her fingers on paper encapsulate the traces of both the medium and the gestures that constitute them. Rather than claiming the historicity of an age-old art, Athina Ioannou – and with her, the viewer – experiences the mythical moment of an unpredictable, intense emotion."
              - Denys Zacharopoulos, 2019